Teach
Us to Dance to the
Rhythm of Africa
By
Hannelie
Booyens
January 16, 2004
It's difficult to imagine a more challenging journey
than the one Ginn Fourie faces. She is a senior lecturer
in Physiotherapy at the University of Cape Town. After
Lyndi's death she focused on a new direction of study:
Reconciliation in SA for a doctoral thesis. For many of
her white compatriots it's a journey into the heart of
darkest Africa - a place where the chant "kill the boer,
kill the farmer'' still inspires fear.
How can you possibly travel alone to the seat of the
military wing of the Pan Africanist Congress, to the
place where the man who gave the order to kill your
daughter, is to be honoured by his people? That's the
question Ginn's been asked countless times. It's like
going into Dingaan's kraal, a somewhat conservative
relative warned her.
All sorts of emotions surface as Ginn drives through
Limpopo Province's lush bushveld, a map on her lap. She's
hunting for Seleteng, a rural community near Mokopane
(Potgietersrus). She's excited, curious, moved and happy.
"And worried that the gift of fruit in the boot is going
to vrot (decay) before we get there,'' she chuckles.
We're heading for the traditional Sotho home-coming
ceremony for Letlapa Mphahlele after his years as Apla
commander. She hasn't written out a speech because she
wants to say what's in her heart, taking the words from
all she's been thinking about during the last few weeks.
"The right words will come when I'm there with the
people.''
It's almost nine years since Lyndi (23) died in a hail
of bullets when Apla soldiers attacked the Heidelberg
Tavern in Cape Town on 30 December 1993. The path to
acceptance was sometimes tortuous, especially when the
stress led to Ginn developing colon cancer. The disease
has since gone into remission but the pain of losing her
beloved daughter is still sometimes all consuming.
She cries openly when she talks about Lyndi. "It's
difficult not to turn Lyndi into a saint because she had
such a big heart, she had a wonderful sense of humour
that could defuse any conflict.'' The very night of her
death she had said: "Ag Pappie, moenie worry nie. We'll
be fine!''
It's ironic that Lyndi was a victim of the armed
struggle. At the Truth and Reconciliation Commission,
where the freedom fighters were finally given amnesty,
Ginn told the Apla Cadres how Lyndi (Lindiwe to her Xhosa
friends) worked to improve living conditions for Black
People.
She was just finishing a Civil Engineering programme
and had great plans to bring water and water-borne
sewerage to homes in Khayelitsha. She'd also helped to
build a church in Botswana. Sometimes she came home in
tears from the pain and privation she'd seen in black
communities.
During the TRC Hearing (October,1997) Ginn highlighted
her need to know who had given the order for the
Heidelberg Massacre. Although she'd forgiven, she needed
to come face to face with the architects of her child's
death. More than anything she wanted to know why they
hated white people so much.
Ginn listened to the replies fearlessly and with an
open-heart and realised her life would never be the same
again. She was shocked to the core by the accounts of
pain, suffering, discrimination and violence these men
had endured under apartheid.
The words of Humphrey Gqomfa, the leader of the cadres
revealed that their ancestors considered it no longer
necessary to kill whites, those words stayed with her. He
and his friends requested counselling with the survivors
so true reconciliation could occur. She prefers to speak
of "conciliation'', rather than "reconciliation''.
"Blacks and whites were not really friends in South
Africa -- we, English have a history of arrogance and a
stubborn refusal to accept, understand and forgive
others.''
Ginn recognises failure by the TRC, the government and
political parties to facilitate meetings between
apartheid's offenders and victims so they could feel
their own and each others' hurt. She sees the need to
provide spiritual support and counselling on a large
scale for those who'd been exposed to military
brainwashing for years -- and who now see themselves as
victims.
Soldiers on both sides of the political spectrum have
felt let-down by politicians and the community, she found
when interviewing veterans. Their aggression remains an
explosive threat to South Africa. Farm murderers and
right-wing bombers share the same frustrations.
"`Violence is always the consequence of hurt and shame".
Her research shows the root of the problem lies in
either; people's lack of self-worth or 'exaggerated
entitlement'. When people have been belittled and
humiliated for as long as they have been in South Africa,
violence becomes inevitable. If you know how people have
been hurt, you can start breaking the cycle, for future
generations.''
Two months ago, Ginn heard a radio interview with
Letlapa, in Cape Town to promote his biography, Child of
this Soil. He spoke openly about the attacks on the
Heidelberg Tavern and the St James Church in Cape
Town.
Meeting Letlapa was a watershed, says Ginn. Had it not
been for her research she might not have understood why
he still strongly maintains the attacks were "justifiable
acts of war'' rather than crimes. She also understands
his critique and resentment of politicians who'd let
their soldiers down after 1994, and white people who
share the blame for the attacks because they didn't work
harder for change. "It might have been so much easier if
he'd been a monster with horns and a tail -- if there was
something to hate!''
She sees integrity and humanity behind Letlapa's
strong exterior (his name means stone) and also feels
they share a vision: a dream of empowerment, restitution
and conciliation. "It's precisely the healing that
soldiers who were involved in the armed struggle need,
they should be nurtured by their communities and welcomed
home as ordinary people. I had to be at the
home-coming.''
As we weave between dongas and goats on the last bit
of dirt road. There are things she'd like to ask him,
what he means when he says in his autobiography that he
won't rest until the last inch of ground has been wrested
from the oppressor and given to the wronged. She wants to
tell him about her brothers who are farmers here and in
Zimbabwe, of her rural childhood and her family's love of
the land.
We find the Mphahlele home easily. There's still half
an hour before the start of the ceremony, there's already
a crowd around the residence. An imposing man in a cream
shirt and black trousers walks over. Letlapa greets Ginn
with an outstretched hand and a warm smile.
His mom, Lydia, comes out of the bustling kitchen
where huge pots of food are being prepared, to embrace
her white contemporary. She teaches her the traditional
Sotho greeting. "Dumela, ke gona, wena okai'' Ginn says
confidently as she's introduced to the extended
family.
People have come from far and wide to share in the
festivities. The Mphahleles are a respected family in the
area. Many animals were slaughtered to feed the hundreds
of guests.
In the dusty street a group of young PAC supporters,
the Young Lions, are singing freedom songs. They follow
the crowd into the Solly Colman Hall (the late business
man and benefactor) where high-ranking officials have
already taken their places on the stage on either side of
the tribe's queen, Kgosigadi Ngwana-Mohube Mphahlele.
One speaker after another honours their golden son.
Most of the speeches are in Sotho and have a political
slant. "The better-life promised to the people after the
election has become a bitter one", says one speaker.
"Poverty and unemployment are forms of violence", says
another. The skin-clad praise singer loudly proclaims his
approval with a horn.
Letlapa's bravery and leadership are extolled. His
personal sacrifices in the fight against apartheid are
eulogised. Some of the speakers joke about his
stubbornness. He has the potential to be the next
president of the PAC, says current PAC president Dr
Stanley Makgoba.
WHEN it's Ginn's turn she asks Letlapa to translate
her words into Sotho so the "Tatas'' and `"Mamas'' can
understand. The hall is unbearably hot. It's 2 pm and
silent. She looks fragile next to the burly, bearded
Letlapa.
"I think of Letlapa as a man of stone who has been
weathered by a formidable struggle to become a child of
this soil,'' says Ginn. "I too am a child of this soil.''
An approving rumble comes from the crowd and the
praise-singer's horn sounds.
"Your comrades' bullets killed my daughter. That
terrible pain will always be with me. But I have forgiven
this man who gave the command I feel his humanity.'' Ginn
fights back the tears. Her voice quivers."Lyndi died nine
years ago. It's been a long and healing journey, I don't
know where it will end. But now I know there is work for
us to do.
"From the comrades who killed Lyndi I've heard about
your ancestors' message of peace. I consulted my own
ancestors. They came to South Africa from Europe to flee
religious persecution and poverty. They were unable to
express their hurt and so they caused the same pain and
suffering to the people here, whom they regarded as
unintelligent savages. They are sorry (my father told me,
before he died in January). They seek forgiveness for
their demeaning and degrading attitudes and
behaviour.
"How dare we ask for forgiveness? We called you
kaffirs and treated you with indignity through slavery,
colonialism and apartheid. You responded by calling us
'the white scum that came in on the sea!'. We deserved
it.
One of our poets from up North said at the beginning
of last century, `What have we done, we the wretched
black men of the earth, for the whites to hate us so?
What have we done to weigh so little in their scales?'
(Rene Depestre)
"`We have to learn to acknowledge our feelings, to
listen and to talk. Please teach us how. We must be able
to freely say what we think and feel and not hide our
emotions as our westernised culture has taught us to do.
To 'hide our feelings in our sleeves' and present 'the
stiff upper lip'. What about your poor men who must not
even flinch during circumcision?!" The horn sounds.
"I see a bright future for our country if we can get
together and blend the best of our cultures. Instead of
honing our weapons for war, we could beat them into
ploughshares. The politicians aren't going to do it for
us. We ordinary South Africans are going to have to do
it.''
Ginn's words are greeted with loud applause. The horn
sounds. She says: "Keya leboga'' (thank you).
She asks Letlapa to read the words on the photo
collage of Lyndi's life and grave which she's made for
him. "To Letlapa Mphahlele. It's a memorable day for the
children of this soil. We've spilled each other's blood.
Now our sweat and tears will form the daga to build a new
country. From Ginn Fourie.''
Letlapa takes the momento respectfully. A shower of
rain brings temporary relief from the heat. His turn at
the microphone finally arrives.
His words are sobering: "We shouldn't fool ourselves
that we've achieved reconciliation here today. It's a
process, not an event. It has to be material as well as
emotional. (Viva - viva shouts the audience)
Reconciliation cannot be blind to the injustices of the
past. Bridges can be built only if we reach out to one
another over colour and cultural barriers. In the past
apartheid divided us on the basis of race and ethnicity.
Future generations won't forgive us if we remain apart by
choice. Let's follow the example set by Ginn Fourie,
who's chosen to understand and to forgive. Thank you so,
so much, Ginn, that you've come to show us the war is
over.'' The horn blares... Viva, viva.
"A tree will be planted today in memory of Lindiwe and
the others who died in the liberation war", Letlapa
announces and the horn blares loud and long.
OUTSIDE the hall Ginn is surrounded. A tearful older
woman rests her head on Ginn's shoulder. A young man asks
to have a picture taken with her, because otherwise
people won't believe him about the white woman with the
great heart. A polio victim on crutches asks whether he
can have a copy of her autobiography; he wants to
treasure her story for ever.
The message comes from all directions: "Ginn, we
appreciate your being here today. You're as brave as
Letlapa, Mama. Your child didn't die in vain.'' She's
given a choice salutation name: Pheladi.
Be prepared for your people to call you a "white
kaffir'', says a man who's come to pay his respects.
"Your own people will reject and scorn you.'' Ginn is
shaken by his words. Someone gives her a PAC T-shirt.
The festivities shift to Letlapa's parental home.
Children crowd around Ginn; they want to touch her. She
meets Constance, a warm, lively young woman with whom she
bonds immediately.
A middle-aged man in an academic gown introduces
himself as "little Stanley Makgoba''. He speaks the
Queens English, he's barefoot, tipsy and unemployed.
Later someone tells Ginn he was a respected science and
maths teacher.
At sunset the festivities reach a high point when
traditional musicians gather around calabashes of beer
and make their drums talk. Ginn's swept away by the
dance, by the love of these people who accept her as "a
mother of the nation''. She's never experienced so much
sincerity, compassion and vibrance, she says.
Later Letlapa's brother shows us to the room where
we'll spend the night. There's no running water and the
only sanitation is one wonky outdoor toilet. We wash the
red dust of GaMphahlele off our hands and feet in red
plastic baths. This reminds her of a time in Europe when
the bathroom was unheated and it was too cold to undress
in there, Ginn says with a chuckle.
Strange night sounds and the day's emotions keep us
awake. Just before three am Ginn wakes with a blinding
headache and hunts for painkillers in the dark. Then
she's sick. It's just your body's way of dealing with all
the emotion, I say to comfort her.
Suddenly something in her gives way -- like a dam wall
bursting. Raw sobs wrack her body. I knew how she'd
howled for three days after her daughter's death. But now
she's not just weeping for Lyndi: She's also crying for
the poverty, the privation of the people she's met today.
So much injustice, so much to do. Today she experienced
grace greater than anything she's ever experienced
before, even in her own culture.
"The most wonderful thing was the enormity of their
forgiveness. Their unconditional acceptance -- the women
cried with me about my child's death. How grateful I feel
at having shared my pain and fear with them. There's so
much wisdom and dignity in spite of the poverty.''
The hospitality and generosity will stay with her
forever, says Ginn the next morning. "Such spiritual
wealth, although so materially poor. Which is preferable
spiritual or material wealth?''
Ginn listens to their wishes for employment, careers,
fresh vegetables, a library, a computer centre. She vows
to do everything she can to empower the people of
Seleteng, she won't rest before these changes are made to
their lives.
The next morning Letlapa comes to say goodbye before
we leave. He and Ginn make plans to meet in Cape Town the
same week. There's lots of work to do: plans to make,
bridges to build.
They discuss land redistribution. Ginn gives Letlapa a
book about alternatives to violence -- Jesus' Third Way
by Walter Wink, in which a creative alternative to the
fight or flight mechanism is outlined with specific
reference to South Africa. He promises to read it.
Ginn thinks Letlapa will become an ally in her dream
to unite apartheid-era victims and offenders to share
their experiences and feelings. To bring conciliation on
a scale hitherto undreamed of in this country. She
believes in "The Power of One'', she records in her
journal. In your mind's eye see how one person's example
(Letlapa's) can strengthen two, three, four other people.
How thousands can be set free from the need for revenge
and violence.
"Can I give you a hug?'' Ginn asks Letlapa before we
leave. Two children of Africa embrace. Today is his
birthday, according to his book. Lyndi's was last week,
says Ginn.
Originally published in HUISGENOOT (Afrikaans) and YOU
(English) magazines in South Africa.
Posted here with the permission of Hannelie Booyens
and respecting the COPYRIGHT Huisgenoot & You, 2003.
Ginn's
e-mail address. See also The
Michigan Daily and Sidney
Mornng Herald.
©
TFF and the
author
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